Published in School Library Journal By Amy Cheney on October 14, 2014

As I read, and read, and read some more, I am always looking for the combination of elements that will make the book a hot read for reluctant readers and the kids I serve in the YA Underground.

The winning recipe, and I can’t say it enough, is this:

  1. A great cover.
  2. Lots of action and adventure—exterior action, not interior. Prose that shows, not tells.
  3. Relevant (and for my teens this means real).
  4. White space and a large type face.fromgodsmonster Relevancy Trumps All for Reluctant Readers | YA Underground

I wrote about Pacc Butler’s book From God’s Monster to the Devil’s Angel: Life of a Chicago Gang Member (Createspace, 2014) as my top pick in the last YA Underground, but I lamented the cover. Well, he’s changed it. I love the new cover, and it will surely have the book flying off the shelves.

Runaway Thoughts, an anthology of kids writing about the pain of the prison system, also has an updated cover image.

anatomyofagirlgang Relevancy Trumps All for Reluctant Readers | YA UndergroundMy current top pick is Anatomy of a Girl Gang (Arsenal Pulp, 2014), by Ashley Little, who has written for Orca Book Publishers. This title has action, relevancy, and a strong layout—all must-haves for reluctant readers—though it lacks a great cover. Raw, real, and written at a rapid pace, the book describes the formation and dissolution of a gang of teenagers, told from the multiple perspectives of the girls involved. It has a deserved starred review from Kirkus and is flying off the shelves in spite of the cover (it helps that the word gang is in the title).

In many instances, a book’s heft can be an intimidating barrier for reluctant readers; however, if it hits all the four points, it can still take off—genre can triumph over size. Kerry Sutherland, youth services librarian at Akron-Summit County Public Library in Northeast Ohio, recommends several 400-plus page books that will still appeal to reluctant readers. Sutherland has been involved with outreach to homeless and marginalized teens for over nine years, most currently with Safe Landing Youth Shelter for Girls.

old neighborhood Relevancy Trumps All for Reluctant Readers | YA UndergroundThe first of Sutherland’s suggestions is The Old Neighborhood (Curbside Splendor, 2014), a debut novel from Chicago Tribune writer Bill Hillman. Having grown up on Chicago’s South Side, teenage Joe is aware of the dangers of drugs and gangs, but he also feels a deep connection to his neighborhood. He also knows that the secrets that bind him to his family and friends can be more powerful than his sense of right and wrong. This coming-of-age novel gets down and dirty, revealing hard truths about the challenges of attempting to both stay loyal to loved ones and obey the law on the Chicago streets.

rubybetweenthecracks Relevancy Trumps All for Reluctant Readers | YA UndergroundSutherland’s second recommendation is P.D. Workman’s Ruby: Between the Cracks: Vol. 1 (Workman, 2014). The title character is a young teen in foster care who is sexually involved with her case worker, one of many relationships she initiates with adult men. Taken from her parents because of suspected abuse, she wanders aimlessly in pursuit of freedom while in desperate need of emotional security. Ruby has super dense type, but fans of Ellen Hopkins’s books will love the soap opera that is Ruby’s troubled life, including pregnancies, gang and drug involvement, and post-traumatic stress issues.

emergeboxedset Relevancy Trumps All for Reluctant Readers | YA UndergroundOn the other extreme, there are super short, full-color books. Saddleback’s “Emerge” boxed sets, part of the publisher’s Teen Emergent Reading Libraries TERL, are ideal for my adolescents who read at a lower level. I always have quite a few preschool reading–level teens, and there’s not a lot out there for them. Forty-eight pages each, with a count of around 500 words, these books are thetest Relevancy Trumps All for Reluctant Readers | YA Undergroundsimple, personal, and concrete, without complex themes and abstractions. Some of the photos feel a little clean cut and young for my crowd, but they still work. Eric, a PreK-level reader, tried P.J. Gray’s The Test (2014), a book in which a pregnancy test prompts a girl to look back on her relationship with her boyfriend. Eric said it was the first book he ever read and that “It was stuff I be doing. First they got along, then they didn’t, then they did again,” proving that subject matter that resonates with teens can be a surefire draw.

standemerge Relevancy Trumps All for Reluctant Readers | YA UndergroundOf the five genres covered in the sets, the ones that work for my urban teens are realistic fiction and history/culture.The sports—mostly, not all—are activities that my teens don’t engage in, such as swimming and skateboarding. Action/adventure books includes titles in which characters get lost in the winter wilderness—again, stuff that my teens aren’t involved in (I’m based in California) and that therefore don’t fill the relevancy requirement. Unfortunately, it’s not possible to purchase titles individually in order to customize what will work with your students. Saddleback told SLJ that exposing kids to several different genres with different demographics actually leads to a higher level of engagement. Saddleback also mentioned they have incorporated nonfiction into every genre as well, to bring realism to the grouping. However, for my purposes and for kids who do like picture books they can relate to, I wish I could purchase simply the ones I want and not the entire set.

homelessatage13 Relevancy Trumps All for Reluctant Readers | YA Underground

Anthony D. Ross’s Homeless at Age 13 to a College Graduate (Step One, 2014) has the page count necessary for a low level reader, but the author makes a mistake common to self-published writers: a bad cover photo. The curlicue font only makes things worse. However, the book itself is important and relevant to virtually all my teens, as would be any memoir of an individual thriving in spite of horrendous circumstances. The writing is decent and moves at a fast clip, though the book isn’t action packed.  Ross is up front about the obstacles he faced (lack of food, neglect, abuse), there mainly  a positive thread running through the book, with Ross emphasizing his accomplishments.

anthonywhyte Relevancy Trumps All for Reluctant Readers | YA Underground

I met Anthony Whyte, an Essence best-selling author and founder of Augustus Publishing and Street Literature Review Magazine: The Voice of Hip Hop Literature, while attending BookExpo America earlier this year. Had the conference been more diverse, he might have been mobbed. Due to popular demand, Whyte has begun writing for teens with Thin Line: A Child’s Eyes Never Lie (Augustus, 2013). The opening action sequence sets the stage for a mystery—11-year-old Shareef’s best friend and her family are gunned down. Why? The action slows way down to explain, the narrative becomes repetitive, and action is substituted for internal obsessions and stressors. The young protagonist uses words such as aplomb and discrepancy and freely walks into the crime scene several times using a hidden key—these are just a few of unbelievable aspects. Still, this one may satisfy the street lit genre crave, even though it’s a tamed down version without sex or real action.

Thin Line may be one of these titles that works for kids but not for me. A book like this is challenging for me to get through: the repetitions, contradictory information, unbelievable characters or settings and some of the same old, same old—I keep putting the book down because I am bored, bored, bored. Yet for my kids, many of whom have special processing issues (for instance, they may be designated as special ed or may have  ADHD or PTSD), relevancy trumps everything. Further, the repetition that so frustrates me is what helps them understand the narrative.

Featured titles:

BUTLER, Pacc. From God’s Monster to the Devil’s Angel: Life of a Chicago Gang Member. CreateSpace Independent Publishing, 2014.  162p. $12.99. 9781494771669.

FRIEDMAN, Amy and Kalliope Panatiotakos, eds. Venice High School Students. Runaway Thoughts: The Pain of the Prison System Anthology. 2014. 183p. pp. $20. ISBN 9781495113598.

GRAY, P.J. The Test. Emerge Boxed Set, TERL Level 1. Saddleback Publishing, 2014. 20 titles. $449.95. ISBN 9781622508662.

HIGGINS, M.G. Boy Soldier. Saddleback, 2014. 48p. Sold in sets: Emerge History/Culture 9781622508105.

HIGGINS, M.G. Stand. Saddleback, 2014. 48p. Sold in sets: Emerge Sports 9781622508020.

HILLMANN, Bill. The Old Neighborhood: A Novel. Curbside Splendor, 2014. 500p. $ 15.95. 978-1940430003

LITTLE, Ashley. Anatomy of a Girl Gang. Arsenal Pulp Press, 2014. 254p. $13.68 978-1551525297.

ROSS, Anthony. Homeless at Age 13 to a College Graduate: An Autobiography. Step One Publishing, 2014. 96p. $8.99.  978-0991322435.

WHYTE, Anthony. Thin Line: A Child’s Eyes Never Lie. Augustus Publishing, 2013. 224p.  $14.95. 9780982541524.

WORKMAN, P.D. Ruby Between the Cracks #1. Workman, 2014. 484p. $17.75. 9780992153953.

As promised, here is the guest post by Greg. I loved having him at the hall. I can’t find his newest book Pirates on the shelves in the units- that means the kids have it in their rooms and are reading it. If you want to have him come speak to your youth, contact him through his website http://about.me/greg_cummings – (He currently lives in NY). Here is his blog: http://talesfromtherift.blogspot.com

And here is his post:

It’s a scorching, dry Saturday morning in California. Another rainless summer has turned the hills above San Leandro yellowish-gray. My taxi turns off a serpentine drive into an empty parking lot.

Embedded in the hillside, the Alameda Juvenile Justice Center is a vast, rectangular three-story construction, built with beige cinder blocks that blend in well with its surroundings. There’s no one in sight.

After instructing my taxi driver to return in 90 minutes, I activate the intercom next to the weekend entrUnknown-1ance. “Who is it?” asks a female voice.

“Greg Cummings. I’m the author giving a talk to Unit 4 today.”

“Who?”

“Greg Cummings. Amy Cheney arranged my visit…”

“Hang on a minute hun.”

While I wait for clearance into the prison, Mountain Mike’s escape story comes to mind.

When Mountain Mike escaped  a minimum-security federal correctional facility called William Head on Vancouver Island, he fashioned a raft from a coffin used in the prison’s amateur theatre production of Dracula, then paddled out across the Juan de Fuca Straits towards the Canadian mainland.

The coffin disintegrated and Mike sank to the bottom of the cold straights. “I was sure I was a goner,” he recalled, “but then a divine light beaconed me upward imagesagain. And then I found the strength to resurface and swim ashore.” He had a couple of weeks of freedom before the Mounties caught up with him.

I heard about Mountain Mike from one of his fellow inmates. It was October 1983, and I had just watched a performance of Ken Kesey’s One Flew Over the Cuckoo’s Nest by William Head on Stage (WHoS), an inmate-run prison theatre company – the only one in Canada that invites the public into the prison to see their shows.   I was struck by the force of the cast’s performances, playing to a packed house, unbound by their incarceration. I had never seen such savage intensity in the eyes of actors. Read the rest of this entry »

I had such a great week last week. Well, I mean on Friday. It truly revitalized me.

The day to day of the detention center is drudgery. Trudging along down the long windowless hallway. Schelping boxes of books. Picking your battles of the many that could be picked. Seeing the kids in “their rooms” – a LOT.  Seeing the kids lining up and marching down the hallway. The silence of no marching when there is not enough staff to bring the kids to the library or the gym. Ok, I won’t depress you.

But then Greg Cummings came! Truly it was for me, because it is such a delight to see an author finding anUnknown audience. Of course the kids loved him, and the staff loved him, and the kids had TWO new books to read over the weekend. I’ve asked Greg to write a guest post about the experience…. look for it next week.

actualcover-filteredAn award-winning wildlife conservationist, Greg Cummings achieved remarkable success protecting gorilla populations in the wild, through community-based initiatives in East and Central Africa. In a career spanning two decades, he personally raised over ten million dollars for this work, and formed enduring relationships with the Gates foundation, World Bank, European Union, UNESCO, and US Fish & Wildlife – to name just a few. What really motivates him is a vision of a strong, indigenous movement for development in Africa – owned and managed by Africans for the good of future generations. Since 2009 he has been a director of WildLIGHT, a registered charity in Uganda. More about the author…

 

Lost for Life: Juvenile Murder

Posted: September 15, 2014 in Resources

In the United States, more than 2,500 individuals are serving life-without-parole sentences for crimes they committed when they were 17 years old or younger. A powerful new documentary, “Lost for Life,” tells the stories of these individuals, their families and the families of the victims. The film is the result of writer-director-producer Joshua Rofé’s intensive efforts over four years.

“Lost for Life” — an official selection of five major U.S. Film Festivals, a ratings powerhouse for the BBC in the U.K., and a title coming to television in 57 countries (including Lifetime Movie Network in the U.S.) — will be available in the U.S. on iTunes.  Produced by Ted Leonsis, Rick Allen, Mark Jonathan Harris, Peter Landesman and executive producers Scott Budnick and Ari Silber, “Lost for Life” highlights four stories of homicide and the resulting life sentences for the teenage offenders.

Veteran documentary filmmaker Harris, who claimed Oscars for “Into the Arms of Strangers: Stories of the Kindertransport” and “The Redwoods,” collaborated with Rofé as a mentor on the project. In fact, the two worked so well together, they are now in production on their next documentary, “Swift Current,” about the impact of sexual abuse.

“I would not have ended up with the film we ended up with if not for Mark pretty much showing me how to be a director,” Rofé told Indiewire.

I loved this film.

Trailer

http://www.indiewire.com/article/heres-how-lost-for-life-a-powerful-new-documentary-about-juvenile-murder-came-together-20140718

 

I can never have enough books in my library written by, for, and about people of color, especially those that have grown up or lived in the margins of society. There are a huge number of people of color that have important stories to tell and are self-publishing their books due to the numerous issues with the traditional publishing world which, in part, reflects the racial biases in our society. And remember—the extremely important discussion about the lack of diversity in children’s books only accounts for books published by big publishers, which skews this reality—there are actually many self- and small  and alternative press published books for people of color.

Mim Eichler Rivas is a ghostwriter of bestselling books that are on all of our shelves—Antwone Fisher’sFinding Fish (), Chris Gardner’s The Pursuit of Happyness (Harper), Dwyane Wade’s  A Father First: How My Life Became Bigger Than Basketball (Morrow), Alfredo Quiñones-Hinojosa’s Becoming Dr. Q: My Journey from Migrant Farm Worker to Brain Surgeon (Univ. of CA Press), and my personal favorite, the one with her name on it, Beautiful Jim Key: The Lost History of the World’s Smartest Horse (Morrow). Her husband Victor Rivas Rivers is the spokesperson for the National Network to End Domestic Violence, as well as an actor (Blood In/Blood Out, The Mask of Zorro), and has written his own book, A Private Family Matter (), detailing his abuse at the hands of a mentally ill father. My teens love these adult books, which are staples on my shelves.

I have a fantasy of having a collective of ghostwriters that would write for/with gangsters (or ex-gangsters, as the case may be). Yeah, I know it’s far-fetched: ghostwriters are already overworked, underpaid, and grossly unacknowledged for their services, and many of the self-published authors are more than happy with the independence that brings and the acknowledgement they already receive in the non-white publishing world. I can still dream. Kids in the YA Underground really want gritty, action- filled reads, and my fantasy ghostwriter could help transform some of the vitally important stories featured in today’s column into books that would fly off the shelves.

PaccButler Self Publishing, Ghostwriting for Gangsters, and Cover Reaction | YA UndergroundPacc Butler’s book From God’s Monster to the Devil’s Angel: Life of a Chicago Gang Member is the top pick this week—a standout in terms of the writing, message, and the author’s ability to tell a story that is real and action-packed, while also showing the twisted thinking/behavior that was a result of the extensive abuse he suffered at the hands of his father and multiple family members. Born to a 17-year-old crack addicted mother and a 36-year-old off-the-charts violent father, Pacc left home at age 16. He joined the gang that was responsible for the murder of Yummy (Robert Sandifar), which Pacc recounts without any boasts or glorification. A dark cover with an unintentional distorted image, small typeface, and no white space are among the downsides of this self-published book.

Another standout also of interest to my teens is a new anthology by the students in POPS—Pain of the Prison System—an afterschool program in Venice, CA. Runaway Thoughts focuses on the angst of having an incarcerated family member or friend. There are a lot of self-published anthologies out there, but this one is unique due to the topics being covered. The book is being redesigned so may not be available again in print until later in the year.

What’s Wrong With You! (What You, Your Children, and Our Students Need To Know About My 15 Year Imprisonment From Age 20 to 35) is well written, follows a logical time line, and isn’t repetitive, but could use an editor in terms of focus—who is the intended audience for the book?  It’s not really “scared straight” in any preachy way, thank goodness, but more of an honest accounting of the daily inanities, filth, pressures, and stresses of living in small cages with mentally ill and serious offenders. This is what “doing time” ultimately means. Author Omar Yamini was an accessory to a crime; i.e. he was present but did not actually commit the crime. It is a miracle that anyone can come out of that situation with any kind of sanity, and it’s clear that Yamini did. It’s an important book and I will continue to have it on my shelves, yet the cumbersome and confusing title reflects the lack of focus and has killed any interest in it for my sensitive and defensive teen readers who would rarely if ever pick up a book with “What is Wrong With You” as a title.allcaughtup Self Publishing, Ghostwriting for Gangsters, and Cover Reaction | YA Underground

Jamila Davis’s She’s All Caught Up has a fantastic cover with a fly girl, money, and a cool car; unfortunately, it’s slow-going on the inside, covering the details of her life from a very young age, leading up to her arrest and the more gritty action-filled moments in the last 75 pages of the book. Some kids are definitely going to be interested, but others won’t hang in there that long. Davis hashighprice1 Self Publishing, Ghostwriting for Gangsters, and Cover Reaction | YA Underground created the “Voices of Consequences” series for incarcerated women to tell their stories and that’s a great thing. Michelle Miles’s The High Price I Had to Pay 2, which came out of the Voices series, is nice and small, and an easy, straightforward read. At 25, she was sentenced to 30 years in federal prison for conspiracy to traffic drugs, an alarming sentence for a non-violent first time drug offender.

TransformingPainToPower BookJacket 198x300 Self Publishing, Ghostwriting for Gangsters, and Cover Reaction | YA UndergroundDaniel Beaty grew up in a home environment replete with addiction and incarceration. His father was a heroin addict and dealer, and was constantly in and out of prison. His older brother continued in his father’s tradition. Beaty has written two books, both of which are a must for every YA urban library even though they aren’t YA. His adult title, Transforming Pain to Power: Unlock Your Unlimited Potential (), focuses on  overcoming life’s difficulties. In it, Beaty’s personal and family stories are used as life lessons andknockknock Self Publishing, Ghostwriting for Gangsters, and Cover Reaction | YA Undergroundtools for transformation. His spoken word poem “Knock, Knock” is powerful; his picture book based on the poem is more quiet.  The book doesn’t address incarceration directly—the father is simply gone one day, a scenario many young men experience. Watercolor illustrations and collages by Brian Collier show the emotional journey of the young man through his losses. Both titles were produced by mainstream publishers.

NewCovers 300x154 Self Publishing, Ghostwriting for Gangsters, and Cover Reaction | YA UndergroundSpeaking of covers, (which I always am) I am dismayed, well actually, horrified—that Simone Elkeles’s “Perfect Chemistry: series () covers Perfect Chemistry FINAL cover Self Publishing, Ghostwriting for Gangsters, and Cover Reaction | YA Undergroundhave been redesigned. This is truly a tragedy for our readers who love these books, and feel seen and reflected. Buy the old ones while you can. These covers are hot and sexy. This could be the death knell for reluctant readers and those in the gritty margins.

BEATY, Daniel. Knock Knock: My Dad’s Dream for Me. illus. by Bryan Collier. Little, Brown, 2013. 40p. Tr $18. ISBN 9780316209175.

BEATY, Daniel. Transforming Pain to Power Unlock Your Unlimited Potential. Penguin/Berkley. 2014. 225p. Tr $19.95 ISBN 9780425267486.

BUTLER, Pacc. From God’s Monster to the Devil’s Angel: Life of a Chicago Gang Member. CreateSpace Independent Publishing. 2014. 162p. pap. $12.99. ISBN 9781494771669.

DAVIS, Jamila T. She’s All Caught Up. Voices International Publications. 2013. 330p. pap. $14.99. ISBN 9780985580735

MILES, Michelle. The High Price I Had to Pay 2: Sentenced to 30 Years as a Non-Violent First Time Offender. Voices International Publications. 2013. 56p. pap. $7.99. ISBN 97800991104109.

PANAGIOTAKOS, Kalliope, ed. Venice High School Students. Runaway Thoughts: The Pain of the Prison System Anthology. POPS the Club. 2014. 183p. pp. $20. ISBN 9781495113598.

YAMINI, Omar. What’s Wrong With You! What You, Your Children and our Students Need to Know about my 15 Year Imprisonment from Age 20-35. Proper Perception. 205p. pap. $19.95. ISBN 9780991574605.

By Mark Flowers

Reading the titles of the books under review–a book about football, and a book about juvenile prisons–a lot of people would not immediately think that they are related, or that either has much to do with race in America. But both authors make persuasive cases that racism, specifically against young Black men is at the heart of their subject.

The more obvious case is that of juvenile prison. Nell Bernstein outlines the case in her introduction:

Juvenile incarceration is also one of the most glaring examples of racism injustice our nation has to offer. Studies based on confidential interviews have found that the vast majority of Americans go through a period of delinquency at some point during adolescence. Fully 80 to 90 percent of American teenagers have committed an illegal act that could qualify them for time behind bars, and one-third of all teens have committed a serious crime. Most, however, never see the inside of a cell, or even a police car. Of this group–the kids who get a pass–the overwhelming majority simply grow out of it. But the time they reach adulthood they are crime-free.

Black and brown youth, especially those from impoverished communities, face far different prospects than do their white counterparts on this front. Those living in poor neighborhoods are subject to what sociologist Victor Rios calls a “culture of control”–treated with suspicion and harsh discipline at school, on the street, and even in the community. They also face discrimination at every stop on the juvenile and criminal justice circuits. They are more likely than white youth who commit identical acts to be arrested; to be charged and detained rather than released to their families; to be sentenced to locked institutions; to be kept behind bars longer; and to be sent back more often. . . . These cascading inequities dramatically curtail the prospects of young people who are already at a disadvantage when it comes to educational and employment opportunities that serve as the bridge to secure and successful adulthood. (pp. 8-9)

Visiting some of these poor neighborhoods that Bernstein is describing, Steve Almond, author of Against Football, makes some very similar comments:

Their teachers saw them mostly as discipline problems. They had no positive male figures in their lives, no power in the world, no idea how to acquire any. So I could understand why they were desperate to join a game that gave them a sense of purpose and direction, that earned them the approval and guidance of respected elders . . . a game that offered them a chance at riches and fame, however remote. They accepted the need to sacrifice. They had to learn strategy, cooperation, how to channel their aggressive impulses, how to evade or defeat the opponent. They understood that the game in question gave people tremendous pleasure, but that it wasn’t economically productive for the local community. And though they preferred not to think about this part, they knew that it came with considerable risks to their health.
Despite all this, some of them still wanted to sell crack cocaine.
Am I now suggesting that football is as bad for the African-American community as crack cocaine?
No.
I’m just making the point that neither is a realistic solution to the crises that poor African-American boys face growing up in this country. In fact, they are distractions from the systemic inequalities that keep such boys locked in a cycle of poverty and incarceration. (ARC, pp 105-106)

In comparing football players to drug dealers, Almond’s point is that football is among the very few limited options available to black youth. And it is not one without consequences. He spends much of the first half of his book detailing the new medical knowledge we have about the damage concussions and sub-concussive hits have on the brain, especially young brains. What’s more, as a form of entertainment, he indicts football fans for becoming complicit in its cult of violence, and (perhaps) for participating in another kind of racism:
Yes, football attracts fans of all races and classes. Yes, players choose to compete and are well paid. But the power dynamics remain eerily familiar: a wealthy white “owner” presides over a group of African-American laborers.
. . .
Does football provide white Americans a continued sense of dominion over African American men? Do their huge salaries give us the right to pass judgment on them incessantly? To call up radio programs and yell about how they’re lazy or money-hungry or thuggish? Do we secretly believe they belong to us?
. . .
What does it mean that 95 percent of our most famous African American citizens are athletes? Or that, when we see a physically imposing African American in the lobby of a fancy hotel . . . we immediately think: football player.
I’m going to get hammered for asking these questions. Fine. Hammer away. But don’t pretend that’s the same as answering. (pp 112-113)

That last sentence is perhaps the most important one in Almond’s book. Throughout the book, he makes provocative claims, not just about racism, but about violence, money, and more, and it is easy for a fan to brush aside his arguments. But brushing them aside, or even acknowledging them, without actually grappling with them, is different from proving him wrong. And that’s a lot harder to do.

Bernstein is similarly provocative in her book. And, like Almond, has much more to discuss than race. Her chapters on the origins of the juvenile prison comprise one of the most fascinating pieces of nonfiction I’ve read this year. And her ultimate goal is similar to Almond’s: abolition. Just as Almond is essentially calling for an end to football, Bernstein is calling for an end to juvenile prison. Neither one of these calls is likely to be heard, and one of the strongest reasons is laid out in the books themselves: the amount of money invested in these two enterprises. But that doesn’t mean we shouldn’t think long and hard about the options our society appears to have set up for young Black men and what we do to participate in these institutions.

burning-down-the-house* BERNSTEIN, Nell. Burning Down the House: The End of Youth Prison. 319p. Free Press. Jun. 2014. Tr $26.95. ISBN 9781595589569. LC 2013043709.
Bernstein outlines the history of juvenile “reform” schools, the rise and fall of the rehabilitative model, and the reality of what happens behind bars to already traumatized teens: further physical, sexual, and mental abuse. The author takes a look at solitary confinement practices, “therapeutic prisons,” and juvenile reentry. Using solid teen developmental theory and research, United Nations findings, and trauma informed care, this title articulately sets forth the argument against the imprisonment of children. A passionate advocate for young people, Bernstein highlights teen voices and experiences throughout the book, adding humanity and insight to the statistics. Burning Down the House does for young people what Michelle Alexander’s The New Jim Crow (New Press, 2010) did for adults: brings this issue to national attention. Readers meet influential adults such as Jerome Miller, who closed down the entire system in Massachusetts in the ‘70s, and Gladys Carrion, Chief Commissioner of New York, who not only closed down 18 state facilities by 2012 and halved the number of incarcerated kids, but also diverted $74 million to support community-based alternatives to incarceration. Teens interested in history, social sciences, and one of the biggest issues facing young adults in the U.S. will find lots to love in this book.—Amy Cheney, Alameda County Library, Juvenile Hall, CA

ALMOND, Steve. Against Football: One Fan’s Reluctant Manifesto. 160p. Melville. Aug. 2014. Tr $22.95. ISBN 9781612194158.steve-almond-against-football-210x300
Alex Award-winner Almond delivers a provocative if slightly uneven book. As the subtitle suggests, the author is a longtime devoted football fan, and he spends much of the first quarter of the book solidifying his football bona fides before beginning his onslaught of reasons that he feels he can no longer watch his favorite game. Anyone who’s been paying attention to the sport, in particular the NFL, will find little in the way of new arguments here—Almond spends chapters on concussions and sub-concussive hits; the game’s twisted monetary incentives, especially in college football; its cult of violence; racism; and its vexed relationship with the American institutions of capitalism and patriotism. But the sheer weight of the evidence Almond marshals is impressive and hard to ignore. Even when his arguments against the game seem strained, he is able to put the burden of proof squarely back on readers to disprove him with more than a simple dismissal. Particularly strong is his complete demolition of the argument that the mere popularity and fixity of the game in the nation’s consciousness somehow puts it above criticism. Many fans of football will react to this book with derision, and many non-fans will consider his points self-evident: both are wrong. These are arguments that deserve to be considered deeply and grappled with, and teens—who have not yet devoted their lives or opinions to or against the sport—are in a perfect position to take Almond’s manifesto seriously.—Mark Flowers, John F. Kennedy Library, Vallejo, CA

ORIGINALLY PUBLISHED IN SCHOOL LIBRARY JOURNAL AUGUST 18, 2014 BY MARK FLOWERS

Originally published in School Library Journal on June 18, 2014

When I give guests a tour of my library one of the first things they notice is the way it is organized—the entire library is geared toward people of color. Because that is who is in here.

I always say, and make very clear, this is because of disproportionate minority confinement. For those of you who don’t know what that is, it’s another (easier for some people to hear?) word for racism. Youth of color are overrepresented at nearly every point of contact with the juvenile justice system—and this disproportionate minority contact is disturbingly persistent over time. Youth of color are more likely to be incarcerated and to serve more time than white youth, even when they are charged with the same category of offense.

But back to the library: I have the popular African American fiction section, a Latino section, biography, horror and sci-fi section—all of these feature books as much as possible by, for, and about people of color. The collection is labeled with 21 different genre stickers to help readers identify titles of interest. Toni Morrison is not in the popular African American section, she is in the classics section, because my library assumes that people of color want to see themselves in all genres. The smallest section in my library is the Hispanic/Latino section. I even have to put the fiction and the nonfiction together, it is so small. Where are all the Hispanic, Latino, and Latin American authors with the stories my kids want to read?

I have a catch-all section, which is actually where most of the white authors’ books live. John Green’s titles are there, although none of my patrons really read them. Before The Fault in Our Stars movie was released, I had never had a request for the book. I have Ellen Hopkins, and April Henry, and some action-packed series which my kids are loving. The most popular right now are T. M. Goeglein’s heart-pounding Mafia action-adventure Embers & Ash  (Penguin, 2014); Emmy Laybourne’s disaster-packed survivor story Savage Drift (Feiwel & Friends, 2014); Trevor Shane’s Children of the Uprising (NAL, 2013), and Lex Thomas’s next entry in the war and intrigue “Quarantine” series, The Burnouts (Egmont USA, 2014). I also include titles such as Khaled Hosseini’s Kite Runner in this section. In my institution, it is critical that I understand the worldview of my teens, and how they approach YA lit, however unusual it may seem to youth librarians serving those in outside populations.

To add diversity to your collection, or build one that considers your community’s demographics, consider the following titles that you may have missed.

 A Collection Built Around Its Community—Incarcerated Teens | YA UndergroundFew people are aware of what really goes on inside juvenile prisons, even though the U.S. incarcerates more youth than any other nation in the world. Incarcerated youth may be unable to see the big picture. Burning Down the House by Nell Bernstein changes all that. It does for children what the Alexander’s The New Jim Crow (New Press, 2012) has done for adults. It’s a must read for anyone interested in crime and justice and definitely needs to be on library shelves. A passionate advocate for children, Bernstein highlights teen’s voices and experiences throughout the book, which adds humanity and insight to the statistics. There are a few teens in my institution and a lot more on the outside who will be willing to tackle this book because of the subject matter. Watch for a full review to come at Adult Books for Teens.

 A Collection Built Around Its Community—Incarcerated Teens | YA UndergroundLibrarian and author Patrick Jones is writing a lot of books that fill a gap. The Bridge tells the story of a young man who is the only English speaker in a family of undocumented immigrants. This has serious consequences when his father has a heart attack and is misdiagnosed. José is on the straight and narrow, working two jobs and trying to succeed in school through all of his responsibilities.

Illegal A Collection Built Around Its Community—Incarcerated Teens | YA UndergroundI met N. at BEA, signing copies of his memoir, Illegal: Reflections of an Undocumented Immigrant, and read it on the plane on the way home. N. crossed the border when he was a teen, graduated with a master’s degree, and held a high paying job. This isn’t so much a feel-good story of rags to riches as it is an exploration of the territory of living underground, in fear of being found out as “illegal.” Without legal ID, he is constantly on edge, fearing traffic stops, going into a bar and getting carded, getting on a plane, traveling; he waits for the other shoe to drop and his irregular social security card to be found out. Sophisticated teens will enjoy this title. (Full review to come in Adult Books for Teens blog).

 A Collection Built Around Its Community—Incarcerated Teens | YA UndergroundLowriders in Space, the forthcoming graphic novel from Chronicle books is terrific. Lupe Impala, lowrider chick and mechanic extraordinaire and her sidekicks El Chavo FlapJack and Elirio Malaria customize a car to enter the Universal Car Competition in hopes of winning so they can open their own shop. Seeking car parts they end up in the abandoned airplane factory which leads them into the stratosphere for detailing. Says Chavo “I don’t think we’re in the barrio anymore!” They pick up a few rings from Saturn, snag the Pleiades for their wheel and some pom-pom asteroids. It’s fun, it’s silly, it’s totally cool cars and there will be a sequel!

 A Collection Built Around Its Community—Incarcerated Teens | YA UndergroundRobert’s Black Sheep will end up in my popular African American section. It starts out strong with a great cover. Bad boy and wannabe rapper Dwayne is on the streets with his boys, but then meets posh girl Misha. A quarter of the way through the pacing slows down and gets a preachy. I kept reading because there is a lot of  diversity—Misha’s father is Rastafarian, and the leader of Dwayne’s gang drops out to be Muslim. Dwayne himself converts. He struggles to turn his life around while hiding his darker side from Misha. The action picks up towards the end when one night the two sides of Dwayne’s life collide. Fans of Sister Souljah (who works in a Muslim theme in her later books) might like this one, despite the uneven pacing.

 A Collection Built Around Its Community—Incarcerated Teens | YA UndergroundPlease add Coe Booth’s new middle school book Kinda Like Brothers to your lists of possible Newbery contenders. This title could go on to win both the Coretta Scott King and the Newbery. Brilliantly written, every single character has a story, and readers will feel as if they know them, and will want to get know even more about them. Booth writes truths about boys’ relationships with each other that are real in all of their complexities. This title also shows relationships between African American boys and men in a big and profound way.

BERNSTEIN, Nell. Burning Down the House: the End of Youth Prison. New Press. Jun. 2014. 319p. Tr $26.95. 9781595589569.

BOOTH, Coe. Kinda Like Brothers. Scholastic. Aug. 2014 256p.Tr $17.99. ISBN 9780545224963.

CAMPER, Cathy. Lowriders in Space. Bk. 1. illus. by Raul the ThirdChronicle. Nov. 2014. 107p. Tr $22.99. pap. $9.99. ISBN 9781452128696.

JONES, Patrick. Bridge. (The Alternative). Darby Creek/Lerner. 2014. 86p. pap. $7.95. ISBN 9781467744829.

N., José Ángel. Illegal: Reflections of an Undocumented Immigrant. Univ. of Illinois Pr. 2014. 115p. pap. $19.95. ISBN 9780252079863.

ROBERT, Na’ima B. Black Sheep. Frances Lincoln. 2014. 272p. pap. $8.99. ISBN 9781847802354.

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Jarrett’s mom takes in foster care babies. And NOW, she’s taking in Kevon, baby Treasure’s older brother, and so Jarrett has to share his room with him. Totally unfair.

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Coe Booth’s new book  is about the relationship between two middle school kids. She writes truths about boys relationships with each other that are real in all of their complexities. AND this book is showing relationships between African American boys and men in a big, big profound way.

Every single character in this book has a story, and just enough is written about each one to have us feel we know them and want to know more about them.

 

This book is a classic. Newbury!!!!!! Brilliant. I am in awe. I am a reluctant reader of middle school boy books and she had me turning the pages. Complex. Real. Funny. Not one thing that doesn’t work. Shout out!

By Amy Cheney

  • Discard ALL old, funky, boring, non-kid-friendly books in the facility. Old, funky, irrelevant books are a turn-off.  It is better to have no books at all than old and funky ones. This may seem counterintuitive, but it’s the first thing you need to do.
  • Talk with your administration about the importance of free and independent reading, and gain their support for creating a library of shared books.
  • Reach out to your local public library and partner with them on selecting and obtaining books, programming, librarian visits, grant writing, and book talking.
  • Partner with local bookstores: create a wish list for donors to buy books for your library. Bring in appropriate authors who visit bookstores.
  • Partner with local organizations to hold book drives on specific titles you want.  I partnered with the Girl Scouts for specific book requests and got all the Harry Potter, Wimpy Kid, James Patterson Maximum Ride, Rick Riordan, Goosebumps and many other basic kid-friendly items on the shelves.
  • Connect with Library Services for Youth in Custody (LSYC) and find out what people are doing across the country in providing library services.
  • Connect with Yalsa-lockdown  http://lists.ala.org/wws/info/yalsa-lockdown for questions about books and other issues.
  • Provide an abundance of books that kids can check out and bring back when they are done.
  • Create a stress-free honor system for lending books and materials.
  • Hire a consultant to assist you with selection development policies, purchasing books for 40% off, setting up your program and finding the best book choices for your facility. Image

On Book Selection 

Posted: May 24, 2014 in Resources

By Amy Cheney

images-1How do we select books?  Most libraries have a selection policy in line with the values and goals of probation and school administration.  Ideally, every book on your shelf reflects those values.

Librarians consider many factors when choosing books.  Primarily, what will  be relevant, attract and hold the interest of our youth, especially the ones that are reluctant or non-readers. We read the books. We talk to other librarians who read the books. We talk to teens and get their feedback. Often the book must have a catchy or edgy title, premise or cover.  Beyond that, the book needs to have lots of action, big type and white space.

We know most of our kids come in without certain assets—often without literacy, without cognitive skills, without support.  We know they have often had negative experiences with school.  We know they have had experiences they were unable to cope with, that they are emotionally raw, that they are shut down and troubled.  And yet, on the other hand, we know that they have a tremendous amount of other assets: entrepreneurial skills, off-the-charts resourcefulness, astonishing creativity, a great sense of humor, insight and smarts, and the ability to make the best of dire situations. The books we choose need to reflect all of this.

Some of the top books for youth in detention are written by award winning inner city school teachers, social workers, and librarians. Here are some of top picks currently in my institution:

Tyrell and Bronxwood by Coe Booth

Caged Warrior, Homeboyz, Hip Hop High School and the Secret Story of Sonia Rodriguez (and other young adult titles) by Alan Lawerence Sitomar http://www.alanlawrencesitomer.com

Street Pharm, Snitch, Takedown and coming out in December On the Edge by Allison Van Diepen

Ten Mile River and Stay With Me by Paul Griffin

Black and White, Rooftop, Final Four,  Riker’s High, Rucker Park SetUp by Paul Volponi

All of the Bluford High series. There’s something comforting about reading books in a series set in a neighborhood with familiar characters and situations. http://www.townsendpress.com/our-books/bluford-series/

Criminal by Terra Elan McVoy

A Long Way Gone by Ishmael Beah